Sequoia 14

Price: $2,975.00


The engineers’ choice!

This high-definition DAW is one of the world’s leading solutions for audio engineering, broadcasting and mastering. Access intelligent tools: The latest software generation includes EUCON S6 extensions for Avid S6 controller and offers sound technicians everything they need for audio production at the highest level.

• Classic production: Perfect workflows thanks to multi-synchronous editing and source destination cut.

• Broadcast: Database integration and a wide range of loudness features according to EBU R128

• Post production: Video import/export and recording

• Mastering: 100% sound neutrality & fidelity – transparency, neutrality, spaciousness and retention of transients

• Restoration: Professional tools like spectral cleaning and tons of high-quality effects

• Object oriented: Complete object level editing – non-destructive and in realtime


Minimum system requirements:

For Microsoft Windows 7 | 8 | 10
32-bit and 64-bit systems

All MAGIX programs are developed with user-friendliness in mind so that all the basic features run smoothly and can be fully controlled, even on low-performance computers. The technical data for your computer can be found in the control panel of your operating system.

Processor: 2 GHz and higher
RAM: 2 GB RAM (32-bit), 4 GB RAM (64-bit)
Hard drive space: 2 GB for minimal installation, 90 GB for independence
Graphics card: onboard, minimum resolution 1024 x 768
Audio playback: Onboard (ASIO-enabled sound card recommended)
Drive: DVD drive


New Highlights – why the new version is worth it:


• NEW! Celemony Melodyne essential

• NEW! ARA interface for seamless integration of the Celemony Melodyne plug-in

• NEW! Tempo automation for audio objects

• NEW! SpectraLayers Pro 4

• NEW! EUCON S6 extensions/enhancements

• NEW! Improved docking, better overview of open projects, optimal screen use



Spectral Cleaning is especially useful for post-editing live recordings and interviews containing noises from moving chairs, cell phones and coughing. Using conventional filters and complicated crossfade editing usually takes a lot of time and often results in changes to the useful signal.

The spectrograph display (time on the horizontal axis, frequency on the vertical axis and color-coded amplitude) as well as A/B testing options make it possible to accurately restore the desired signal. Audio disturbances can be easily selected for removal with the mouse. Elements that have gone missing from the original frequency spectrum are recalculated into the recording using interpolation or transitions from the surrounding usable signal.

Spectral cleaning highlights

  • Direct track selection in spectral cleaning dialog

  • Individual track-based editing

  • Reference track: Apply changes made to a track to other selected tracks

  • Leave dialog open: Leave the dialog open following calculation

  • New shortcuts for playback and for saving zoom ranges and presets


Audio Productions – Broadcasting – Post Production

Audio Productions

The success of a complex audio production depends on each and every detail and nuance. With this premise in mind, we’ve developed features for source destination cut and multi-synchronous cut. This allows you to combine different concert recordings into a single whole in the blink of an eye.


Time is a decisive factor in broadcasting. For this reason, Sequoia offers direct connection to broadcast CMS and automation systems. Thanks to the powerful audio engine, you can edit material during a live recording and sent to a broadcast station with a slight delay.

Post Production

Sequoia is a constant in an ever-changing film industry. This is due on the one hand to the software’s high stability and reliability, on the other to the close collaboration between our team of developers and recording studios, TV stations and broadcasters. With these industry connections, we’re in the know – so this lets us focus on developing and bringing to the market features that are actually needed in post-production.